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Oil Paintings Come From United Kingdom
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HEEM, Cornelis de
Dutch painter (b. 1631, Leiden, d. 1695, Antwerpen). Son of Jan Davidsz. de Heem. He spent a great deal of his life in Antwerp, where he was taught by his father. Cornelis also worked in Utrecht in 1667, in nearby IJsselstein in 1676 and in The Hague from 1676 for more than ten years. His best works approach the quality of his father's, particularly in works executed during the decade starting in 1655. Cornelis's still-lifes can be distinguished by daring colour harmonies, sometimes with a strong blue. His compositions are often simpler: fruit-pieces, floral bouquets, festoons and garlands and sumptuous still-lifes,

 

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HEEM, Cornelis de Flower Still-Life sf oil painting

Painting ID::  7414

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HEEM, Cornelis de
Flower Still-Life sf
Oil on canvas, 53 x 42,5 cm National Gallery, Prague
   
   
     

 

 

HEEM, Cornelis de Still-Life with Flowers and Fruit sg oil painting

Painting ID::  7415

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HEEM, Cornelis de
Still-Life with Flowers and Fruit sg
Oil on canvas, 55,8 x 73,5 cm Museum voor Schone Kunsten, Ghent
   
   
     

 

 

HEEM, Cornelis de Still-Life with Flowers and Fruit (detail) sg oil painting

Painting ID::  7416

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HEEM, Cornelis de
Still-Life with Flowers and Fruit (detail) sg
Oil on canvas Museum voor Schone Kunsten, Ghent
   
   
     

 

 

HEEM, Cornelis de Still-Life with Flowers wf oil painting

Painting ID::  7417

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HEEM, Cornelis de
Still-Life with Flowers wf
c. 1660 Oil on canvas Private collection
   
   
     

 

 

HEEM, Cornelis de Vanitas Still-Life with Musical Instruments sg oil painting

Painting ID::  7418

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HEEM, Cornelis de
Vanitas Still-Life with Musical Instruments sg
after 1661 Oil on canvas, 153 x 166,5 cm Rijksmuseum, Amsterdam
   
   
     

 

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HEEM, Cornelis de
Dutch painter (b. 1631, Leiden, d. 1695, Antwerpen). Son of Jan Davidsz. de Heem. He spent a great deal of his life in Antwerp, where he was taught by his father. Cornelis also worked in Utrecht in 1667, in nearby IJsselstein in 1676 and in The Hague from 1676 for more than ten years. His best works approach the quality of his father's, particularly in works executed during the decade starting in 1655. Cornelis's still-lifes can be distinguished by daring colour harmonies, sometimes with a strong blue. His compositions are often simpler: fruit-pieces, floral bouquets, festoons and garlands and sumptuous still-lifes,